Review | “Sentimental Value”: A full house, a full movie
A quarter of the way into the 21st century, how do on-campus opinions of the best films from the last 25 years compare to the industry narrative?
The Chapman community ranks their top films of the century (so far)
A quarter of the way into the 21st century, how do on-campus opinions of the best films from the last 25 years compare to the industry narrative?
Review | I’m not sure if I’ve changed for the better, but part two of Wicked changed me for good
Does the second act of “Wicked” do any good deeds to improve on its predecessor?
Review | “Eternity” is far too long
The film is a charming, but slightly disappointing rom-com given the promise of its premise.
Glen Powell’s fall… in more ways than one?
After a triumphant 2024, a star’s fate hangs in the balance.
Review | “Predator: Badlands” offers a delightful dose of pulp carnage
The new “Predator” is one of the year’s stupider franchise films. But that should be taken as a compliment, as it delights with sci-fi violence up the wazoo and surprising extraterrestrial heart.
Review | “Bugonia” proves original storytelling isn’t dead
Everybody has been crying for a film with a fresh plotline. Well here you go.
Review | The Colleen Hoover epidemic has to end with “Regretting You”
“Regretting You” proves that when TikTok trends start dictating what’s in theaters, everyone loses.
Review | “No Other Choice” holds a mirror to the cutthroat job market
Park Chan Wook’s newest film of sharp social critiques attracted an electric audience at the Newport Beach Film Festival.
Is Chapman scrolling with the punches or making movies matter?
The Panther investigated what students are choosing to consume with so many entertainment options. The results may (not) shock you.
Review | “The Perfect Neighbor” is a tragic story, uniquely told
Using only police body cam footage, the film explores the fatal consequences of Florida’s “stand your ground” laws.
Review | “The Secret Agent” finds relevance in ‘70s aesthetics
The Brazilian Cannes Film Festival hit presents one of the year’s most compelling character studies.
Review | “Tron: Ares” sounds nice, but says nothing
Besides a mostly bumping Nine Inch Nails score, you’ll probably forget most of your time with “Tron: Ares.”
“Roofman” climbs high but falls flat
Channing Tatum stars as a criminal so unbelievable you’ll wish you were watching the real story instead.
“The Life of a Showgirl” from the eyes of a non-Swiftie
A non-swiftie takes on the pop giant’s latest album
“After the Hunt”: A thought-provoking slow burn
Luca Guadagnino’s latest drama haunts with its score and performances.
Hollywood’s new AI dilemma: Progress or protection?
At what point does AI stop supporting creators and start replacing them?
Review | Is “One Battle After Another” a masterpiece or misfire?
Paul Thomas Anderson’s blockbuster bundles comedy, action and commentary into a thrilling three-hour journey.
Guilty as charged: Breaking down bad movie indulgence
Chapman students confess their guiltiest cinematic pleasures and dissect why they’re so addictive.
Review | “Him” misses the mark: a thriller that’s more fumble than fear
Justin Tipping’s “Him” tries to tackle big social issues in the sports world but trips over its own chaotic horror twists, leaving its powerful message on the sidelines.