Review | ‘Tron: Ares’ sounds nice, but says nothing
Besides a mostly bumping Nine Inch Nails score, you’ll probably forget most of your time with “Tron: Ares.”
Review | ‘Roofman’ climbs high but falls flat
Channing Tatum stars as a criminal so unbelievable you’ll wish you were watching the real story instead.
‘The Life of a Showgirl’ from the eyes of a non-Swiftie
A non-swiftie takes on the pop giant’s latest album
Review | ‘After the Hunt’: A thought-provoking slow burn
Luca Guadagnino’s latest drama haunts with its score and performances.
Hollywood’s new AI dilemma: Progress or protection?
At what point does AI stop supporting creators and start replacing them?
Review | Is ‘One Battle After Another’ a masterpiece or misfire?
Paul Thomas Anderson’s blockbuster bundles comedy, action and commentary into a thrilling three-hour journey.
Guilty as charged: Breaking down bad movie indulgence
Chapman students confess their guiltiest cinematic pleasures and dissect why they’re so addictive.
Review | ‘Him’ misses the mark: a thriller that’s more fumble than fear
Justin Tipping’s “Him” tries to tackle big social issues in the sports world but trips over its own chaotic horror twists, leaving its powerful message on the sidelines.
Matt Roller opens the doors to ‘Haunted Hotel’
From “Rick and Morty” to “Community,” Matt Roller’s career has led him to showrunning the latest Netflix animated comedy.
Review | ‘Haunted Hotel’ is absurdly charming
This new playful animated series might just be your next fall binge.
Supermeh?: A look back at this summer’s box office
A slight uptick in attendance and near identical performance characterize an interesting if not triumphant summer box office season.
A survival guide for horror movie haters
A features and entertainment reporter with little interest in the horror genre gives five tips for making it through the daunting conclusion of the “Conjuring” franchise.
‘The White Lotus’ shouldn’t have gone to France
The White Lotus season four location was just announced, and I am not impressed.
Review | ‘The Paper’ is just another mockumentary wannabe
Originality can’t be replicated, but this new mockumentary tries its best to measure up against “The Office.”
How to keep ‘The Summer I Turned Pretty’ going into the fall
What should you and your roommates watch next?
Review | From page to screen, ‘The Thursday Murder Club’ misses the mark
Between lost character depth and muddled plotlines, this adaptation will disappoint fans of the book.
Review | ‘Weapons’ aims high but shoots hollow
The film flirts with symbolism, but refuses to commit to meaning.
‘KPop Demon Hunters’ wants to be your idol
Netflix and Sony’s “KPop Demon Hunters” has continued on its trail of success, consistently topping Netflix, the box office and the Billboard charts for the past month. As it only grows in popularity, the movie is redefining the 21st century blockbuster.
The summer of ‘The Summer I Turned Pretty’
From watch parties, love triangles, endless TikToks and bad acting, this is everything “The Summer I Turned Pretty” is doing right… and wrong, according to fans at Chapman.
Review | ‘Thunderbolts*’ is Marvel’s deepest project yet
The newest film in the Marvel Cinematic Universe (MCU) brings out dark trauma in old and new characters, creating one of the franchise’s most emotional stories in recent memory.