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Sawyer Hill 3/10/26 Sawyer Hill 3/10/26

Seen any good movies lately?

As Hollywood’s primary demographic, Chapman students reflected on the modern importance of movie theaters.

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Benjamin Price 3/9/26 Benjamin Price 3/9/26

Review | ‘Scream 7’ is the final nail in the coffin 

The slasher flicks have run out of gas with this latest fright fest.

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Abigail Karel 3/9/26 Abigail Karel 3/9/26

Review | The second half of ‘Bridgerton’ season four goes beyond romance

Season four moves beyond fairytale tropes to a deeper examination of power and the social hierarchy. 

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Kiera Nusbaum 3/9/26 Kiera Nusbaum 3/9/26

Review | The straight audience’s guide to watching ‘Pillion’

Spoiler alert: “Pillion” is not a rom-com.

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Celine Schuneman 3/8/26 Celine Schuneman 3/8/26

Seeing double? Hollywood’s obsession with the duplicate

Why clones, twins and split personalities have taken over recent media.

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Kiera Nusbaum 3/8/26 Kiera Nusbaum 3/8/26

Review | ‘Wuthering Whites’ is Fennell’s failure

Did director Emerald Fennell read the “Wuthering Heights” SparkNotes?

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Sawyer Hill 2/22/26 Sawyer Hill 2/22/26

Review | ‘Nirvanna the Band the Show the Movie’ smells like hometown spirit

Millennial goofs transcend space-time in this ode to Toronto and friendship.

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Abigail Karel 2/17/26 Abigail Karel 2/17/26

Review | So far, ‘Bridgerton’ season four is a story we’ve seen before

Despite its visual charm and captivating characters, “Bridgerton” season four’s central plot leaves little in suspense.

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Guest Columnist 12/13/25 Guest Columnist 12/13/25

Review | ‘Sentimental Value’: A full house, a full movie

A quarter of the way into the 21st century, how do on-campus opinions of the best films from the last 25 years compare to the industry narrative?

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Benjamin Price and Celine Schuneman 12/12/25 Benjamin Price and Celine Schuneman 12/12/25

The Chapman community ranks their top films of the century (so far)

A quarter of the way into the 21st century, how do on-campus opinions of the best films from the last 25 years compare to the industry narrative?

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Celine Schuneman 12/8/25 Celine Schuneman 12/8/25

Review | I’m not sure if I’ve changed for the better, but part two of ‘Wicked’ changed me for good

Does the second act of “Wicked” do any good deeds to improve on its predecessor?

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Benjamin Price 12/8/25 Benjamin Price 12/8/25

Review | ‘Eternity’ is far too long

The film is a charming, but slightly disappointing rom-com given the promise of its premise.

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Benjamin Price 12/8/25 Benjamin Price 12/8/25

Glen Powell’s fall… in more ways than one?

After a triumphant 2024, a star’s fate hangs in the balance.

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Jonas Rindegard 12/8/25 Jonas Rindegard 12/8/25

Review | ‘Predator: Badlands’ offers a delightful dose of pulp carnage

The new “Predator” is one of the year’s stupider franchise films. But that should be taken as a compliment, as it delights with sci-fi violence up the wazoo and surprising extraterrestrial heart.

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Shaira Yousuf 11/18/25 Shaira Yousuf 11/18/25

Review | ‘Bugonia’ proves original storytelling isn’t dead

Everybody has been crying for a film with a fresh plotline. Well here you go.

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Shaira Yousuf 11/13/25 Shaira Yousuf 11/13/25

Review | The Colleen Hoover epidemic has to end with ‘Regretting You’

“Regretting You” proves that when TikTok trends start dictating what’s in theaters, everyone loses.

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Celine Schuneman 11/7/25 Celine Schuneman 11/7/25

Review | ‘No Other Choice’ holds a mirror to the cutthroat job market

Park Chan Wook’s newest film of sharp social critiques attracted an electric audience at the Newport Beach Film Festival.

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Benjamin Price and Caleb Otte 11/4/25 Benjamin Price and Caleb Otte 11/4/25

Is Chapman scrolling with the punches or making movies matter?

The Panther investigated what students are choosing to consume with so many entertainment options. The results may (not) shock you.

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Seraphina Oketch 11/4/25 Seraphina Oketch 11/4/25

Review | ‘The Perfect Neighbor’ is a tragic story, uniquely told

Using only police body cam footage, the film explores the fatal consequences of Florida’s “stand your ground” laws.

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Celine Schuneman 11/4/25 Celine Schuneman 11/4/25

Review | ‘The Secret Agent’ finds relevance in ‘70s aesthetics

The Brazilian Cannes Film Festival hit presents one of the year’s most compelling character studies.

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